Wednesday, 2 March 2016

Nathan Hurt Locker Title Research

Hurt Locker:


Prior to any footage being shown on screen, we are shown a block of text giving an introduction to the film. It is a quotation from a famous American journalist to give context to the film. The most important part of the text is then highlighted when the rest of it is faded out, to just leave the words "war is a drug". These four words set the scene for the rest of the film, and show the audience that war is an essential element of this film. Even before any video appears on screen, this title clearly introduces the thriller genre through use of sophisticated language and words like 'war' and 'drug' which could be seen as Thriller conventions. War and drugs are both featured in many Thrillers as they influence humans to commit crimes or other bad behaviour found in Thriller films.


The only remaining title in the opening sequence is the location of where the scene takes place in Baghdad, which is the capital of Iraq. This title enables spectators to know where the action is taking place and gives meaning to the war we see going on. The font is dirty white colour, representing the environment in Baghdad, which is quite poverty-stricken and unclean. It is a serif font, which is a type of font much more commonly used to portray less developed countries. This is to show how the country is less modernised, as modern design tends to feature sans serif fonts. This title is overplayed onto the image in order to create a connection between the title and the setting.

The rest of the sequence doesn't feature any titles due to the intense and highly important action that takes place in the opening. The film producers have left out titles from this section of the film as they want the audience to be completely engaged in what's taking place. We will need to ensure that we do they same in any sections of our film that are highly important and require the spectator's complete attention. At any moments of high suspense, it is important not to include any titles that might be a distraction from the action.

At the start of Hurt Locker, we are introduced to many of the main characters in the film. These army members are shown to us at the start of the film and in order to entirely connect with them and start finding our about their characters, no titles are used. This ensures that spectators are focussed on beginning to understand the characters. If there were titles showing the actors names, that might detract from the realism of the film, as we'd see the characters real names, which could make the spectator feel more distant from the film during such an important opening sequence.

Title Research / Face Off

Face Off 

The film 'Face Off' suggests that it is a thriller genre right from the first 30 seconds of the title sequence as the non-diegetic and diegetic music are contrasted with each other. The first 20 seconds spectators hear fair ground rides and laughing children, connoting a cheerful and fun atmosphere. However, we then are shown a medium long-shot of a man in a jet black suit, the music slightly crescendos to a minor scale, generating a clear change of mood and atmosphere through parallel sound.

How does this create interest or anticipation?

-This scene creates interest because enigma is created through the change in moods.
-We are shown a man who we assume is the antagonist played by Nicolas Cage, questioning why he is at a children's fair ground without a child. 
-Anticipation is generated through the gun the antagonist reveals under a cloak. We question what he will use it for and why he is aiming it at a certain child. 




-Colours of the titles are black and white, expressing a happy and dark side of the plot that will be discovered. 





-The simple clear font that is used in this title sequence allows us to understand the message that is hidden in the title 'Face Off'. 





-Face Off can be interpreted in different ways. I personally intake it as if something or people are going to go head to head in a fight or competition.  









Film Title design: 


-The background of the title sequence is overlapped on the film footage. This allows spectators to link and observe the message of the title to the footage from the film. In the title sequence there is no institutional information that is shown. This is maybe to engage spectators on the action as it could be an incredibly important part of the film. 



Additional information about the Title sequence:



Actors:

-There are specific actors that are shown with their name being captioned. For example, the screen grabs above are captioned with John Travolta and Nicolas Cage. These two actors are mentioned before anyone else and before the title. These two actors are incredibly well known in the film industry. This will engaged spectators even more to watch the film. 


Title and Music 


-The title is parallel to the music that we hear during the title sequence. This is because the animation of the title when it is shown, is revealed very smoothly which is relates well to the atmosphere and emotions we feel during the title sequence. 

-A sound bridge is used to form a smooth change from a major to minor scale. This helps spectators notice the typical thriller conventions that are used.


Relationship between moving image & titles:



-The relationship between moving image and the titles are shown together. We are first shown a medium long-shot of John Travolta, representing the importance of his role in 'Face Off'. I think the titles and footage are introduced in the order because the producers wanted spectators to be engaged on the characters and the action taking place.


Thursday, 25 February 2016

Beginning of Editing (Footage)











This is a short clip of Nathan using After Effects software on the Macs in editing suite. He is editing an ariel shot of the hot tub and cutting himself out when he flew the drone as he isn't part of any characters in our film. 

Sunday, 21 February 2016

Day of Filming/Completion (10th February)

As a team and having good co-operation, we managed to film the whole shoot in just one day! We started early in the morning on Wednesday the 10th of February and wrapped it at 7:00pm that evening! We decided to film this early and be prepared for editing as none of us were able to film during the half term. Our actor and actress: Joe Comber and Georgie Tofield had commit themselves, turned up on time and really brought our characters 'Marcus' and 'Addie' to life. It definitely fulfilled everything we hoped it to be! We are so excited to edit the footage and see the final project!

Tuesday, 9 February 2016

Thursday, 4 February 2016

Organisation of shoot day!

I am currently organising times for our actors to arrive. We will organise these shooting times around their mock exams.

We are giving ourselves extra time inbetween scenes to allow us to set up and for our actors to gather themselves together and get into their characters. 


SCRIPT


Gone





(Establishing shot of the motorway cuts to Addie driving the car whilst arguing with Marcus on hands free).




Addie

I don't understand Marcus, you are too complicated.

Marcus

Addie, you're not listening to me. Sometimes I need to get away. I am the one providing for the both of us and keeping a roof over our heads.

Addie

Well, times like these I need you more than anything but guess what? You're never bloody here! As per usual.

Marcus

I can't just drop everything just for you Addie, stop being such a selfish bitch.

Addie

A selfish bitch?! (laughs with anger and shock) You're the one dropping me for everything else, just so you can splash our money on your stupid addictions.

Marcus

You have no idea what it is like for me.

Addie

I HAVE NO IDEA WHAT IT IS LIKE FOR YOU?!?!?!
(swerves and nearly hits car)
(heavy breathing and shock)
Fffffuck

Marcus

What's going on?!

Addie

Nothing, don't worry.
Marcus I cannot deal with this any longer. I know you are suffering but maybe I am too.

Marcus

What are you suffering from?! Selfish syndrome?

Addie

Oh wow. Real mature of you Marcus.

(Shot of car driving away and Addie entering the door of her house).

Addie

This conversation is too tiring Marcus.

Marcus

Ok, bye then.

Addie

Happy Anniversary to you too.

(Addie hangs the phone up).

(Shot of Marcus with his head in his hands).

Marcus

Oh shit.

(We then see Addie climb into the hot tub to relax after an extremely stressful phone call with Marcus).

(Quick shots of an unknown character unscrewing a poisonous tub of tablets that they then place into the hot tub whilst Addie is oblivious to what is about to occur).

Addie

(Addie screams and screeches in pain as she dies).